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LGBT 227 Machismo and the Latin Lover (Fall '17)

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Interrogates the intersection of sexuality and gender in Latin American and Iberian literature and film. Beginning with representations of Don Juan in 16th- through 19th-century Spain, students see how during that period of imperial expansion a particular brand of masculinity spread throughout the “New World.” The second part of the course focuses on writings and films from artists whose works draw on and question myths of Hispanic masculinity by looking at non-white, female, and queer versions of the Don Juan archetype in Latin America. Lastly, students examine how the figure of the Latin Lover has been appropriated and critiqued by writers and directors in non-Hispanic contexts. These are analyzed together with critical works on masculinity, gender theory, and cultural studies.

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Sigmund Abeles
ca. 1985
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Arne Besser
1982
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David Bumbeck
1981
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Pierre Charrier
1998
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Avery Crounse
1970s
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Stephen D. Forbis
1980
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Leonard Freed
1963
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Lee Friedlander
1965, reprinted 1970
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Eikoh Hosoe
1970
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Lester Johnson
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Joseph Christian Leyendecker
1918
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Carlo Ramous
1955
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Mika Rottenberg
2008
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Keith Vaughan
ca. 1938
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Todd Walker
1977
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