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ARTS 246: From Emperors to Anime: Pictorial Practices in China and Japan (Fall '21)

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A focus on East Asia’s pictorial arts–especially paintings and prints, but also film and new media–from prehistoric times through the 21st century. This chronological survey begins with China, switches to Japan after the mid-term break, and spends the last few classes comparing these regions and taking a longer view of each. Student work focuses upon close analysis of visual materials and scholarly essays, and on the challenges of integrating visual and verbal information.

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Front view
Unknown, Chinese
ca. 1549
Front view
Utagawa (Andō) Hiroshige 安籐広重
1831 - 1834 edition
Nihonbashi
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Front with collection stamp view
Chen Tiegeng
ca. 1942
Hara
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Okabe
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Shimada
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Nissaka
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Shono
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Hara
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Kambara
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Okabe
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Shimada
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Nissaka
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
Shono
Utagawa (Andō) Hiroshige 安籐広重
1833-1858
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